Artistic Innovation Essay<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Theater Communications Group – Blog Salon, curated by Caridad Svich<\/p>\n Finding (and Losing) a Theatrical Home in New Jersey<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0HowlRound<\/p>\n On “Infinite Black Suitcase”<\/strong><\/span><\/p>\n The High School Travels of “Infinite Black Suitcase”<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Samuel French – Breaking Character Magazine<\/p>\n On “Song of Extinction”<\/span><\/strong><\/p>\n Focus on a Playwright: EM Lewis<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Samuel French – Breaking Character Magazine<\/p>\n Interview by Claudia Haas about the Guthrie Production<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0The Examiner<\/p>\n On “Magellanica”<\/strong><\/span><\/p>\n 5 Questions with EM Lewis <\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Playwrights Theater of New Jersey Blog<\/p>\n On “The Study (or Reading to Vegetables)”<\/strong><\/span><\/p>\n Spotlight: New Playwright <\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0University of Washington Theater Department<\/p>\n \u00a0On Playwriting<\/strong><\/span><\/p>\n I Interview Playwrights Part 32: EM Lewis<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Adam Szymkowicz Blog Series<\/p>\n From the Desk of EM Lewis<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Sara Israel, for The Blog @ Boston Court<\/p>\n Playwright Hopes Her “Gun Show” Sparks Serious Conversation<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Catey Sullivan, for the Chicago Sun-Times<\/p>\n The Stuff, by Lee Wochner<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0LA Stage Times<\/p>\n Oregonian Named Resident Artist in Composer Librettist Development Program<\/a> Northwest Reverb<\/p>\n EM Lewis Wins Major Theater Award<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0TheaterDogs<\/p>\nInterviews<\/h3>\n
Features<\/h3>\n